Sunday, February 16, 2014

Camera Eye: Ayiti Cherie (Haiti Honey)



earth  dirt of clay  solid with rocks creating monumental craters dusty and dry only moist with water sprayed by residents eager to see cleanliness of their space poverty stricken but with class    the sun   shining bright   hot not humid   
            a feeling of    butterflies   on an empty stomach 
potholes  deep in the route  stop the noise of children squealing playing jacks and running with plastic tied on twigs     they are red   blue  a mess of recycled goodies all turn a jumbled mess into art      necessity calls for creativity
moments of pain felt by blue haired and blue eyes  stretched cream skin scattered bumps of insects into a hole of the    heart    soul   something missing in life not of two story houses and Lexus cars free education  a mom a dad and a picket fence
            a bump feels like two days on    two by fours   connected to the metal of a
rattling engine on wheels  seven miles in one hour at the pace of the donkey carrying the fruit of the garden alongside going
            faster     than 30 Americans on foreign soil
markets of organic sustainability are photographed by    metal boxes    holding images
white teeth   grinning from ear to ear   colorful clothing  prom queens without the title
seen by  the “others”  arrival to 100 singing voices in unison welcoming the friends made in ten days of   two languages  between the groups      understanding created spirit of cultivated unison   an embrace  which color?  who cares
            smiles   high fives   translators    stories   soccer  crafting      laughter
none to ever be  recreated by force but indescribable to a white culture of middle class haveitalls  seeing is believing you cant explain this in a motivational speech    
            music  boombox  who me?  yes    you with the skirt and tennis shoes glasses overweight and a little out of element    somehow an impact of life changed as understood by no one else with   impeccable fashion   hah  
worldchanger   tears of understanding  a new mission  two boys with beautiful concentrated melanin   one with headphones and a striped shirt  the next a belly full of sickness but the most gorgeous grin    like a mother   at my age me?  17 years
            and counting
chosen to be love and  share  humility   sent to share only to be served  with love ayiti cherie ou toujou nan kem


This Camera Eye depicts the adventure I had on my first trip to the country of Haiti. I arrived at the impressionable age of fifteen and the country has forever changed my life. It was there that I met the two boys my family and I have sponsored for years, spent two years serving in ministry as a result and still continue to cultivate relationships there  today.       

2 comments:

  1. Caroline, from your camera eye I can really get a sense of what the country of Haiti is like. It seems like a really unique and interesting place. I imagine the place and people who live there must be so lively. I wish I could experience such a place one day. For your first time there it must have been exhilarating, for me I've never been outside the country so I've never really experience another culture in such a manner.

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  2. Caroline,
    You have done a very good job here controlling the pace of how we read your camera eye. One example is your line "the sun shining bright hot not humid." This line breaks up how we read this description, which both makes us pay it greater attention and communicates the sense of how you might have observed this yourself at the time, perhaps in an equally fragmented way. I also like how you provide several types of observation. We're given facial expressions, laughter, the feeling of heat, and fragments of dialogue, just to name a few. The way that you've chosen to present them somewhat bombards us with sensory perceptions, and this is often how we experience new places for the first time, especially places unfamiliar to us, such as a first trip abroad. I think you have given us a complicated impression to think through. Good work.

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